Charline von Heyl
New Work
Installation view
2018
Charline von Heyl
New Work
Installation view
2018
Charline von Heyl
New Work
Installation view
2018
Charline von Heyl
New Work
Installation view
2018
Charline von Heyl
New Work
Installation view
2018
Charline von Heyl
New Work
Installation view
2018
Charline von Heyl
New Work
Installation view
2018
Charline von Heyl
New Work
Installation view
2018
Charline von Heyl
New Work
Installation view
2018
Charline von Heyl
New Work
Installation view
2018
Charline von Heyl
New Work
Installation view
2018
Charline von Heyl
New Work
Installation view
2018
Charline von Heyl
New Work
Installation view
2018
Charline von Heyl
New Work
Installation view
2018
Charline von Heyl
New Work
Installation view
2018
Charline von Heyl
New Work
Installation view
2018
Charline von Heyl
New Work
Installation view
2018
Charline von Heyl
New Work
Installation view
2018
Charline von Heyl
New Work
Installation view
2018
Charline von Heyl
Corrido
2018
Oil, acrylic, charcoal on linen
108 x 90 inches
Charline von Heyl
Tondo
2017
Acrylic and charcoal on linen
80 inches diameter
Charline von Heyl
Vandals Without Sandals
2018
Oil, acrylic, charcoal on linen
90 x 120 inches
Charline von Heyl
Gacela
2016
Oil and acrylic on linen
82 x 72 inches
Charline von Heyl
Poetry Machine #1
2018
Oil, acrylic, charcoal on linen
82 x 78 inches
Charline von Heyl
5 Signs of Disturbance
2018
Acrylic on linen
82 x 70 inches
Charline von Heyl
Poetry Machine #2
2018
Oil, acrylic, charcoal on linen
82 x 74 inches
Charline von Heyl
Poetry Machine #3
2018
Oil and acrylic on linen
82 x 74 inches
Charline von Heyl
The Floodsubject
2018
Oil and acrylic on linen
86 x 82 inches
Charline von Heyl
Dial P for Painting
2017
Oil and acrylic on linen
60 x 50 inches
Charline von Heyl
Mana Hatta
2017
Oil, acrylic, charcoal on linen
82 x 70 inches
Charline von Heyl
Hero Picnic
2018
Oil and acrylic on linen
82 x 74 inches
Charline von Heyl
The Language of the Underworld
2017
Acrylic and charcoal on linen
90 x 108 inches
Charline von Heyl
Do You Peeve Cato?
2017
Acrylic and charcoal on linen
82 x 78 inches
Charline von Heyl
Lady Moth
2017
Acrylic and charcoal on linen
90 x 82 inches
Charline von Heyl
La Vache Qui Rit (The Laughing Cow)
2018
Acrylic and charcoal on linen
80 x 70 inches
Charline von Heyl
Dub
2018
Oil, acrylic, charcoal on linen
82 x 68 inches
Petzel Gallery is delighted to announce an exhibition of new paintings by Charline von Heyl. Over the past three decades, von Heyl has made paintings that upend conventional assumptions about composition, beauty, narrative, design, and artistic subjectivity. The new paintings in this, von Heyl’s ninth solo show at Petzel, are composed inventions that function as self-perpetuating visual events; enigmatic presences silently seducing and disturbing the viewer.
Von Heyl’s new paintings shake loose work against language and capture time through dense compositions replete with moody rhythms of color and shape. A number of her effects can unexpectedly dazzle a viewer’s perceptions. The repositioning of one’s body opposite a painting reveals in cross-raked light interference colors that shift in value from pink to green and from yellow to violet. In some cases, paint may bleed through the linen’s verso; in others, shapes are imprisoned under a layer of color as ghost images. Some works, devoid of color, are able to re-energize through stark black graphics. A painting can often begin with a meandering line that loops and snaps into a biomorphic checkerboard. Various images, such as moths, rabbits, heads, and faces have been deceivingly painted as if placed on the surface as a second thought. These sequences unfold slowly while the painting is viewed—overlapping, dissolving, or blending to produce an image that stands for itself as fact.
Charline von Heyl was born in 1960 in Germany; she lives and works in New York and Marfa, Texas. Her work has been exhibited both in the United States and abroad, including solo exhibitions at The Tate, Liverpool; Kunsthalle Nürnberg, Nürnberg; Bonner Kunstverein, Bonn; ICA Philadelphia; ICA Boston; Le Consortium, Dijon; The Dallas Museum of Art, and in the Vienna Secession. Von Heyl’s works are in the collections of The Tate, London; The Museum of Modern Art, New York; The Museum of Contemporary Art, Chicago; Musée d’Art Moderne de la Ville de Paris; The Museum of Contemporary Art, Los Angeles; and The San Francisco Museum of Modern Art; among many others.
The New York exhibition will take place concurrent to her large solo survey show Snake Eyes at the Deichtorhallen, Hamburg, which will travel to the Museum Dhont-Dhaenens, Sint-Martens-Latem, Deurle, and the Hirshhorn Museum and Sculpture Garden, Washington D.C., later this fall. Her newest catalog, Snake Eyes, will be available at the Petzel Publications bookstore.
Petzel Gallery is located at 456 West 18th Street New York, NY 10011. Gallery hours are Tuesday through Saturday from 10:00 AM–6:00 PM. For press inquires, please contact Janine Latham at janine@petzel.com, or call (212) 680-9467.