This monograph, published on the occasion of the Aspen Art Museum exhibition of Rodney McMillian, showcases a comprehensive survey of the artist's paintings, a section of his practice also encompassing sculpture, installation and performance. Incorporating and challenging the notion of art as social and historical critique, the works, essays and interview in this publication examine issues of race, identity and commerce in contemporary society. The book contains images of almost every painting produced by McMillian since, and including, his graduate thesis exhibition, demonstrating a fuller comprehension of the impetus of his work and an insight into the development of the artist's practice. It also features texts by Thomas Lax and Rodney McMillian as well as an interview between the artist and Heidi Zuckerman.
Contributors: Heidi Zuckerman, Thomas Lax, Rodney McMillian
Publisher: Aspen Art Press, 2015
Language: English
Hardcover: 152 pages
Dimensions: 8 x 11 inches
ISBN: 9780934324717
About the artist
Rodney McMillian (b. 1969, Columbia, South Carolina)
Rodney McMillian lives and works in Los Angeles, CA. McMillian explores the complex and fraught connections between history and contemporary culture, not only as they are expressed in American politics, but also as they are manifest in American modernist art traditions. Aspects of his work negotiates between the body of a political nature and the politic of a bodily nature.
McMillian received an MFA from the California Institute of the Arts in 2002. His installation In this land, 2019 was on view as part of the New Work series at the San Francisco Museum of Modern Art from February 9 – June 9, 2019. He had a solo exhibition at the Underground Museum in Los Angeles, CA in October 2019. He received the Contemporary Austin’s first Suzanne Deal Booth Art Prize in 2016, and the resulting solo exhibition Against a Civic Death was on view through August 26, 2018. In 2016, McMillian had solo exhibitions at the ICA Philadelphia, the Studio Museum in Harlem, and MoMA PS.1. Each of these exhibitions highlighted a particular set of material and conceptual concerns in McMillian’s multivalent practice. Other recent solo exhibitions include “Landscape Paintings,” Aspen Art Museum, CO (2015); “Sentimental Disappointment,” Momentum 14: Rodney McMillian, The Institute of Contemporary Art, Boston, MA (2009); The Kitchen, New York (2008). McMillian’s work was featured in the 2015 Sharjah Biennial, curated by Eungie Joo. His work has also been included in group exhibitions at The National Portrait Gallery, London, MASS MoCA, North Adams, MA; the CCA Wattis Institute, San Francisco, CA; the Astrup Fearnley Museet, Oslo, Norway; The Institute of Contemporary Art, Boston; The Institute of Contemporary Art, Philadelphia; the Contemporary Art Museum Houston; the Museum of Contemporary Art, Los Angeles; the Museum of Contemporary Art, Chicago; the UCLA Hammer Museum, Los Angeles; and the Los Angeles County Museum of Art among many others.
